Posts Tagged ‘Byzantine’
An Interview with Iconographer Vladimir Grygorenko – His Recent Work and Developing Style
A. Gould: How did you first set out to be an iconographer? What led to this decision, and what was your initial artistic training? V. Grygorenko: I began painting icons long before my conversion to Christianity, which happened back in 1991. For nine years I studied traditional oil painting in the art studio at Dnipropetrovsk…
Continue reading »Brilliant Darkness: On St. Dionysios the Areopagite’s Blue Halo
…Timothy, my friend, my advice to you as you look for a sight of the mysterious things, is to leave behind you everything perceived and understood, everything perceptible and understandable, all that is not and all that is, and, with your understanding laid aside, to strive upward as much as you can towards union…
Continue reading »The Paradise Pavilion
As a designer of Orthodox churches, it is unusual that my work would be featured in an art gallery. But just such an opportunity arose recently. I was asked to design the central pavilion for The City Luminous: Architectures of Hope in an Age of Fear, an exhibition on display this month in Charleston, SC.…
Continue reading »A Constellation of Chandeliers – Some Recent Lighting Projects
I have written some articles in the past about large choros chandeliers that I have designed and installed. But today, I’d like to introduce a number of other lighting projects: individual or unusual fixtures, chandeliers in interesting places, and other pieces I’ve had the pleasure of making. I will start with a recent chandelier I…
Continue reading »The Making of a New Icon: “Christ Breaking the Bonds of Animal Suffering”
Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create…
Continue reading »The Byzantine Sculpture of Michael Lucas
The following is an interview with sculptor Michael Lucas. Mr. Lucas is an accomplished artist who currently focuses on Byzantine-inspired carving in stone. Andrew Gould is working with Michael on an ongoing project to build a baptistery in South Carolina. A. Gould: You started iconographic carving late in your life. Tell us about your background as an artist.…
Continue reading »Liturgical Furniture for an Historic Cathedral
I was asked, in 2015, to design a set of liturgical furniture for Annunciation Greek Orthodox Cathedral in Baltimore. When I looked at the building, I could see that this would be a complex project with several stylistic influences in play. The monumental structure was built by a Protestant congregation in 1888 in the ‘Richardsonian…
Continue reading »Notes on Method
St. Mamas of Caesarea by Fr. Silouan Justiniano. Egg tempera on wood, 46 in. x 31 in. One has to know technique, but one also needs to know art. An icon should be like a ‘painting’, like a prayer written with beautiful letters…There are many craftsmen, but few real iconographers. Make an icon, a…
Continue reading »A Gospel Cover Crafted in the Tradition of a Medieval Treasure Binding
I have always been fascinated by liturgical book bindings from the Middle Ages. Their perfect union of leather, wood and metal, as a supple and tactile work of functional art, is singularly satisfying. In contrast, there is something lacking in most contemporary gospel covers, which are normally made by applying decoration overtop the cardboard covers…
Continue reading »An Innovative Carved Icon of Archangel Gabriel – A Collaborative Work
Occasionally Jonathan Pageau and I like to experiment with our work – to skirt the boundaries of historical precedent, to revive forgotten and archaic techniques, or to juxtapose ideas in new ways. This project, an elaborate mixed-media icon of Archangel Gabriel, is such an instance. It was not a commissioned project, but rather something we…
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