Posts Tagged ‘Abstraction’
Icon, Religion—Abstraction: Joseph Masheck with Joachim Pissarro & Fr. Silouan Justiniano
…I looked at Russian icon painting with new eyes, that is to say, I “acquired eyes” for the abstract element in this kind of painting. –Wassily Kandinsky[i] For better or for worse the traditional icon painting revival is indebted to modernism, in particular its development of abstraction. Although, as a traditional liturgical art,…
Continue reading »Icon Painting as Participation: Interview with Cornelia Tsakiridou…Part II
In Tradition and Transformation…Gadamer’s “horizon” helped me think in terms of a “communion of icons” (koinonia eikonon) or to think of icons as living these interpenetrating lives across time. Think, for example, of all the variants of the King of Glory/Akra Tapeinosis since the type first appeared in the 12th century. Each one carries…
Continue reading »Imagination, Expression, Icon… Pt. II: Concerning Nous, Techne & Tradition
This is part 2 of a series: Part 1 Because they are the works of God, who is Himself good, the senses and sensible objects are good; but they cannot in any way be compared with the intellect [nous] and with intelligible realities. -St. Thalassios, On Love, Self-control and Life in Accordance with the…
Continue reading »A Double Standard? Some Clarifications on Icon Painting Theory
Therefore every scribe instructed concerning the kingdom of heaven is like a householder who brings out of his treasure things new and old. ‒Matt. 13:52 It is the irrational impulses that yearn for innovation. …
Continue reading »As if Through a Child’s Inner Eye: The Contemporary Icons of Maxim Sheshukov
The distinctively fresh and masterful work of Maxim Sheshukov, a contemporary iconographer working in Sviyazhsk (Kazan region of Russia), is another example of the best synthesis of creative interpretation and conformity to Tradition which we can find nowadays. His work was mentioned in passing in a previous article on Contemporary Iconographers of Russia, but I thought it…
Continue reading »The Pictorial Metaphysics of the Icon: Part II
This is post 2 of 3 in the series “The Pictorial Metaphysics of the Icon” Fr. Silouan Justiniano examines the controversial question of style in icons and whether or not composition and stylistic tropes are meaningful in the theology, making and use of the icon. The Pictorial Metaphysics of the Icon : Abstraction vs. Naturalism…
Continue reading »The Pictorial Metaphysics of the Icon : Abstraction vs. Naturalism Reconsidered
This is post 1 of 3 in the series “The Pictorial Metaphysics of the Icon” Fr. Silouan Justiniano examines the controversial question of style in icons and whether or not composition and stylistic tropes are meaningful in the theology, making and use of the icon. The Pictorial Metaphysics of the Icon : Abstraction vs. Naturalism…
Continue reading »Archetype and Symbol III: On Noetic Vision, Continued…
Lets now look at the nous as an organ of perception. In speaking of the soul, according to its different faculties, we tend to create a fragmented notion of it as consisting of mutually exclusive layers, rather than as an interrelated whole. Therefore, we tend to forget that the nous permeates all of man. Even…
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