Posts by Richard Barrett
The Psalm 103 Project: A Status Report
It has been a little over two years since my last update on The Psalm 103 Project for Orthodox Arts Journal, so, perhaps now would be a good time to bring everybody up to speed again. The Psalm 103 Project, for those just now joining us, is a major undertaking of The Saint John of Damascus Society. It…
Continue reading »Travelogue: The International Society for Orthodox Church Music 2015
In June of 2014, I was a participant in Kurt Sander’s Pan-Orthodox Liturgical Music Symposium at Northern Kentucky University. While I was there, a gentleman whose acquaintance I had newly made, one David Lucs, on hand to give a presentation on children’s music education, was rather excitedly asking virtually everybody during a coffee break, “Are…
Continue reading »Notes from the psalterion, updated and annotated — part VI, in which technical points are considered and a wrap-up is offered
This is post 6 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…
Continue reading »The problem of art in Anglophone Orthodoxy: a review essay
Recently, an online exchange about public outreach efforts with respect to various aspects of Orthodox music and music of Orthodox composers led the following comment by a discussant: What exactly is so “Orthodox” about any kind of pure music? […] [T]o associate any composer with the Church is an empty exercise, since music has only…
Continue reading »The current state of things with the Saint John of Damascus Society’s Psalm 103 project
Back in April, I posted about the Saint John of Damascus Society‘s Kickstarter campaign for the first phase of the Psalm 103 project. I’m happy to say that it was more than successful, and we’re just about to deliver on one of the first parts this phase. Before I get to that, let me tell…
Continue reading »Notes from the psalterion, updated and annotated — part V, in which bricks and mortar concerns are considered
This is post 5 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…
Continue reading »The Saint John of Damascus Society needs your help
The Saint John of Damascus Society has announced a new collaborative effort that we’re really excited about, and we need your support and participation! The background: Hal Sabbagh, the president of our executive board, was inspired by the apparent discovery last summer of the Higgs boson to develop with me and the rest of the…
Continue reading »Notes from the psalterion, updated and annotated — part IV, in which the question is asked, “Shouldn’t you be at rehearsal?”
This is post 4 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…
Continue reading »Notes from the psalterion, updated and annotated — part III, dealing with that strange subspecies called the “musician”
This is post 3 of 6 in the series “Notes from The Psalterion” Richard Barrett gives us practical advice for the discipline of liturgical music in a local parish context. Notes from the psalterion, updated and annotated – Part I, First Principles Notes from the psalterion, updated and annotated – Part II, Getting Started Notes…
Continue reading »The Saint John of Damascus Society on NPR’s “Harmonia Early Music”
The mission of The Saint John of Damascus Society is “revealing Orthodox Christianity through its sacred music”, and one part of how we seek to do this to be a collaborative partner for existing arts organizations and entities on projects promoting Orthodox liturgical music. Our first collaboration to reach the public eye is a segment…
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