Posts by Jonathan Pageau
Opus Sectile Icons
There is a relatively famous image of St. Eudocia from the 10th or 11th century from Constantinople that has recently caught my attention. It is done in a technique called Opus Sectile. Unlike Mosaic which is the assembly of similarly shaped squares forming a pattern, Opus Sectile is when stone is cut in different shapes…
Continue reading »The Mystery of Ethiopian Iconography
Ethiopian Christianity presents many mysteries to us, their unique use of Old Testament typology, their concentric churches, their claim of having the Ark of the Covenent and its use in liturgy – these all create an obscure but fascinating question. I went to Ethiopia in 2009 to discover more about their liturgical arts. I would…
Continue reading »Armenian Carving
Armenian Carving has always fascinated me. With ancient origins, it has persisted until today despite all the trials experienced by Armenians through history. Its intricate patterns coupled with very hieratic figures bring to mind ancient Irish grave markers somehow fused with Islamic geometric art. Interestingly, carving in Armenia is integrated directly into Church architecture in…
Continue reading »The Recovery of the Arts (pt.2): From the Garden to the City
This is post 2 of 3 in the series “The Recovery of The Arts” Jonathan Pageau Examines the duality in the traditional vision of art, and how it is transformed by Christ, moving from the garments of skin to liturgical art and how this vision contrasts to contemporary notions art. The Recovery of the Arts…
Continue reading »A Carver’s Commission
At the beginning of this story is my bishop, fittingly also the man who received me into the Orthodox Church when he was still a parish priest. He asked me if I could carve an “engolpion” – a large pendant worn by bishops, usually bearing an icon of The Virgin and Child. He asked…
Continue reading »The Recovery of the Arts
This is post 1 of 3 in the series “The Recovery of The Arts” Jonathan Pageau Examines the duality in the traditional vision of art, and how it is transformed by Christ, moving from the garments of skin to liturgical art and how this vision contrasts to contemporary notions art. The Recovery of the Arts…
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