Orthodox Arts Journal

For the revival of traditional liturgical arts in the Orthodox Church

  • About
  • Architecture
  • Iconography
  • Minor Arts
  • Music
  • Theory
  • Orthodox Illustration Project

Orthodox Arts Journal — Articles and news for the promotion of traditional Orthodox Christian liturgical arts

— Articles and news for the promotion of traditional Orthodox Christian liturgical arts —

all posts tagged:

“painting”

  • Home
  • painting

Every Human Being is a Creator: An Interview with Davor Džalto

By Fr. Silouan Justiniano on July 28, 2021
Every Human Being is a Creator: An Interview with Davor Džalto

Dr. Davor Džalto is professor of Religion, Art and Democracy at Saint Ignatios College in Sweden. His research focuses primarily on the exploration of human freedom and creativity, as metaphysical, political, as well as aesthetic concepts. All of these concerns come together in his book, The Human Work of Art: A Theological Appraisal of Creativity and […]

Posted in Theory | Tagged Conceptual Art, contemporary art, creativity, Expressionism, Fine Art, freedom, Icon, iconography, installation, liturgical art, modern, painting, persformance, sacred, Tradition August 2, 2021

Canon: Time for a Paradigm Shift…Part II

By Todor Mitrovic on June 29, 2020
Canon: Time for a Paradigm Shift...Part II

    Are There Rules and Where to Find Them?   However, how can we discuss the concept of a list of icon-painting rules if there is the slightest possibility that it might be imaginary? First, let us recall that imaginary entities can define our behavior just as much as physically existing ones. Let us […]

Posted in Theory | Tagged canon, Canonicity, Icons, juridical, language, oral, painters' manuals, painting, rules, scholia, technical, Tradition, unwritten, unwritten painters' tradition, visual, visual language July 1, 2020

Modernity and Tradition in the Religious Art of Spyros Papaloukas

By Markos Kampanis on August 10, 2015
Modernity and Tradition in the Religious Art of Spyros Papaloukas

  Spyros Papaloukas (1892-1957) was a major Greek painter of the first half of the twentieth century. Almost a legend for some, he was an innovator of Greek landscape painting. Although not mainly a church iconographer, he holds a very particular position alongside Photis Kontoglou in contemporary liturgical arts. He was born in 1892, started […]

Posted in Artist Features, Iconography | Tagged 1930s, amphissa, athos, Byzantine, cathedral, fauvism, greek, iconography, kontoglou, landscape, markos kampanis, modern, painting, spyros papaloukas June 5, 2017

The Question of Polychrome – Part 2: Painting a Byzantine Analogion

By Andrew Gould on July 6, 2015
The Question of Polychrome - Part 2: Painting a Byzantine Analogion

This is post 2 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” Andrew Gould looks at the role polychromy has played in historical liturgical arts and how it can be adapted to contemporary designs. The Question of Polychrome for Liturgical Woodcarving – Part 1 The Question of Polychrome – Part 2: […]

Posted in Church Furniture, Minor Arts | Tagged analogion, Andrew Gould, Byzantine, Carving, gilding, icon stand, iconostasis, lectern, liturgical, mary may, Orthodox, painting, polychrome, russian April 8, 2017

The Question of Polychrome for Liturgical Woodcarving – Part 1

By Andrew Gould on June 29, 2015
The Question of Polychrome for Liturgical Woodcarving - Part 1

This is post 1 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” Andrew Gould looks at the role polychromy has played in historical liturgical arts and how it can be adapted to contemporary designs. The Question of Polychrome for Liturgical Woodcarving – Part 1 The Question of Polychrome – Part 2: […]

Posted in Uncategorized | Tagged Andrew Gould, baroque, Byzantine, Carving, color, gilding, greece, greek, iconostasion, iconostasis, liturgical, Orthodox, painting, polychrome, Russia, wood April 8, 2017

Degraded Iconicity VI: Towards Fullness of Iconicity

By Fr. Silouan Justiniano on July 18, 2013
Degraded Iconicity VI: Towards Fullness of Iconicity

This is post 6 of 6 in the series “Degraded Iconicity” Fr. Silouan Justiniano thinks through the effect of contemporary image culture and mechanical reproduction on iconography and our sense of the sacred. The Degraded Iconicity of the Icon: The Icon’s Materiality and Mechanical Reproduction Degraded Iconicity II: Uplifting Materiality and Symbol. Degraded Iconicity III: […]

Posted in Iconography, Liturgical Objects, Theory | Tagged creativity, iconography, liturgical art, painting, Symbolism April 1, 2017
 

Subscribe

Sign up here to receive email notifications
when new articles are published.

Now please confirm your subscription by clicking the link we emailed you (check your spam folder too)!

We will never spam you or share your information with others.
We respect your privacy.

About

The Journal covers visual arts, music,
liturgical ceremony and texts, and relevant
art history and theory. The Journal presents these
topics together to highlight the unified witness
of the arts to the beauty of the Kingdom of God
and to promulgate an understanding of
how the arts work together in the
worship of the Church.

Learn more »

Donate

Your donations help to fund the important work
of highlighting new artists and works through
our published articles. Our articles inspire
thousands of people each month in their
desire to understand more about the
Church and her theology of artistic beauty.

Copyright © 2022 Orthodox Arts Journal | Facebook | Twitter | D&D by Rolla Creative, LLC

Scroll Up