In Defense of Metrical Translations

A liturgical craft that ideally draws very little attention to itself is that of translation — particularly, the translation of hymnography. The English texts that we hear in church were translated by somebody, and that translator also had to make them natural-sounding and singable in English. In addition, there is also the question of whether…

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Church Architecture Doesn’t have to have the Same Objectives as Secular Architecture; An Interview with the Director of the Moscow Architectural Institute, Dimitry Shvidkovsky

Editor’s note: This article is reposted from orthochristian.com.  It describes the current process by which church architects are trained in Russia, and the prevailing attitudes towards style, tradition, and innovation, in this field. A fascinating read for anyone interested in the contemporary rebirth of Russian church architecture. – A. Gould Since 2016, the leading Russian…

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The Typika Psalms and Beatitudes: A Liturgical Opportunity

Editor’s note: This article addresses the Typika Psalms and Beatitudes in the Divine Liturgy, and describes the differences in usage among contemporary North American Orthodox jurisdictions. In particular, the author considers opportunities in which choirs in the Greek and Antiochian Archdioceses might expand their use of these liturgical texts. It is frequently observed that the Psalter is the chief source…

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Good Music Lifts Us Up Towards God

(This interview with Russian conductor Vladimir Gorbik was first published in Pravoslavie i sovremennost, the official journal of the Diocese of Saratov, Russia) As previously reported in the Orthodox Arts Journal, a new symphony orchestra has been established in Moscow under the direction of Vladimir Gorbik—chief choirmaster of the Holy Trinity-St. Sergius Representation (Podvorye) in…

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Kriste aghdga (Christ is Risen) – Georgian Easter chants

Editor’s Note: This article originally appeared on John Graham’s website featuring his tours of Georgia and Georgian liturgical music. We are reposting it here because it will be of great interest and assistance to any choirs who would like to add Georgian settings of ‘Christ is risen’ to their repertoire. Since posting this, John has added additional…

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