The Exhibition In late June, I was blessed with the opportunity to spend a week in Paris, attending an exhibition in honor of the 50th anniversary of the repose of iconographer monk Gregory Kroug. The event ran from May 14th through June 30th, and included a curated exhibition of Kroug’s iconography displayed in the […]
Editor’s Note: This essay was originally written in Russian by master iconographer Anton Daineko of Minsk, Belarus. It beautifully explores the paradox of creativity within iconography from the very personal perspective of a lifelong practitioner. Anton and Ekaterina Daineko regularly teach icon-painting workshops in the USA, which are highly recommended. They have upcoming workshops in […]
A. Gould: How did you first set out to be an iconographer? What led to this decision, and what was your initial artistic training? V. Grygorenko: I began painting icons long before my conversion to Christianity, which happened back in 1991. For nine years I studied traditional oil painting in the art studio at Dnipropetrovsk […]
…Timothy, my friend, my advice to you as you look for a sight of the mysterious things, is to leave behind you everything perceived and understood, everything perceptible and understandable, all that is not and all that is, and, with your understanding laid aside, to strive upward as much as you can towards union […]
As a designer of Orthodox churches, it is unusual that my work would be featured in an art gallery. But just such an opportunity arose recently. I was asked to design the central pavilion for The City Luminous: Architectures of Hope in an Age of Fear, an exhibition on display this month in Charleston, SC. […]
I have written some articles in the past about large choros chandeliers that I have designed and installed. But today, I’d like to introduce a number of other lighting projects: individual or unusual fixtures, chandeliers in interesting places, and other pieces I’ve had the pleasure of making. I will start with a recent chandelier I […]
Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create […]
The following is an interview with sculptor Michael Lucas. Mr. Lucas is an accomplished artist who currently focuses on Byzantine-inspired carving in stone. Andrew Gould is working with Michael on an ongoing project to build a baptistery in South Carolina. A. Gould: You started iconographic carving late in your life. Tell us about your background as an artist. […]
I was asked, in 2015, to design a set of liturgical furniture for Annunciation Greek Orthodox Cathedral in Baltimore. When I looked at the building, I could see that this would be a complex project with several stylistic influences in play. The monumental structure was built by a Protestant congregation in 1888 in the ‘Richardsonian […]
St. Mamas of Caesarea by Fr. Silouan Justiniano. Egg tempera on wood, 46 in. x 31 in. One has to know technique, but one also needs to know art. An icon should be like a ‘painting’, like a prayer written with beautiful letters…There are many craftsmen, but few real iconographers. Make an icon, a […]