The Three-Year Icon Painting Programme for The Prince’s Foundation School of Traditional Arts

Editor’s Note: Spaces are currently available in Aidan Hart’s certificate program in icon painting – one of the world’s best opportunities for hands-on study in this field. This post is illustrated with examples of student work from the program, showing the wonderful success achieved by Aidan’s teaching method. As the demand for painted icons has…

Continue reading »

A Retractable Icon Screen

Parishes in the Wilderness Orthodox parishes in Britain often have to share a church with Anglican parishes. Before each service they will usually need to set up all the furnishings and icons needed for Orthodox worship, then put them all away again at the end. It’s all quite tiring, both emotionally and physically, so the…

Continue reading »

The Nature of Divine Beauty

A Tough Love Many are drawn to the beauty of icons. But clearly this beauty is of a different order than, say, that of a Greek statue, or of a Renaissance painting. Icons are liturgical objects, created for prayer, a means of communion with the Lord. So what are some of the characteristics of divine…

Continue reading »

The Mosaic Apse of Sant’Apollinaire in Classe, Ravenna

THE MOSAIC APSE OF SANT’APOLLINARE IN CLASSE, RAVENNA:  A Miracle of Design Aidan Hart There is some iconography that can only be described as miraculous. Such is the sixth century apse mosaic at the basilica of Saint Apollinare in Classe, five miles from Ravenna, Italy. Such works seem to flash forth, and are never –…

Continue reading »

A Tale of Transformation

A TALE OF TRANSFORMATION Two New Mosaics for St George’s Orthodox Church, Houston, Texas Aidan Hart   This is the story of how two large mosaics for St George’s Orthodox Church in Houston Texas came to completion this January. The genesis of a mosaic is a tale of transformation, from sand to glass, to image,…

Continue reading »

Hand and Machine: Making Liturgical Furnishings

Principles for the Design and Making of Liturgical Furnishings Aidan Hart Handing over from hand to machine A tool in the hand of a craftsperson is an extension of their body, mind and soul. He or she feels the resistance of the stone or wood. Through the tool the material speaks back to them, and…

Continue reading »

The Altar and The Portico (pt.2): Gallery Art

This is post 2 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE SACRED AND THE SECULAR The Relationship of Orthodox Iconography and Gallery Art…

Continue reading »

The Altar and The Portico (pt.1)

This is post 1 of 2 in the series “The Altar and The Portico” Aidan Hart explores the relationships and differences between sacred art and secular gallery art. The Altar and The Portico (pt.1) The Altar and The Portico (pt.2): Gallery Art THE ALTAR AND THE PORTICO (PT.1) The Relationship of Orthodox Iconography and Gallery…

Continue reading »