Posts by Aidan Hart
The Chichester Workshop for Liturgical Art: A New Venture for Training Liturgical Artists and Inspiring Wise Commissioning
An exciting centre for training liturgical artists and inspiring commissioners was officially launched on the September 14th, 2023. It is called the Chichester Cathedral Workshop for Liturgical Art. It is based at the ancient cathedral in the south of England,which stems from a monastery founded by St Wilfrid in 681. You can learn more about…
Continue reading »Apsidal Wall Painting for St. Christopher’s Church, Codsell, UK
Definition of Apse: A large semi-circular or polygonal recess in a church, arched or with a domed roof and typically at the church’s eastern end. Via Latin from Greek hapsis ‘arch, vault’, perhaps from haptein ‘fasten, join’. In astronomy, either of two points on the orbit of a planet or satellite that are nearest to…
Continue reading »The Design of the Anointing Screen for the Coronation of King Charles III
(Editor’s Note: The Coronation of King Charles III, this Saturday, will include important contributions from Orthodox artists. Alexander Lingas, Founder and Music Director of Cappella Romana, will lead the Byzantine Chant Ensemble in singing Psalm 71. And Iconographer Aidan Hart has designed the beautiful screen for the sacramental anointing, which he describes in the article…
Continue reading »The Three-Year Icon Painting Programme for The Prince’s Foundation School of Traditional Arts
Editor’s Note: Spaces are currently available in Aidan Hart’s certificate program in icon painting – one of the world’s best opportunities for hands-on study in this field. This post is illustrated with examples of student work from the program, showing the wonderful success achieved by Aidan’s teaching method. As the demand for painted icons has…
Continue reading »A Retractable Icon Screen
Parishes in the Wilderness Orthodox parishes in Britain often have to share a church with Anglican parishes. Before each service they will usually need to set up all the furnishings and icons needed for Orthodox worship, then put them all away again at the end. It’s all quite tiring, both emotionally and physically, so the…
Continue reading »The Nature of Divine Beauty
A Tough Love Many are drawn to the beauty of icons. But clearly this beauty is of a different order than, say, that of a Greek statue, or of a Renaissance painting. Icons are liturgical objects, created for prayer, a means of communion with the Lord. So what are some of the characteristics of divine…
Continue reading »The Making of a New Icon: “Christ Breaking the Bonds of Animal Suffering”
Sometimes I am commissioned to paint an icon of a saint for whom nothing yet exists, or at least no satisfactory icon. This is usually a pre-schism Western saint. But more rarely, the subject is a new theme, a new emphasis or combination. This was the case when Dr Christine Nellist approached me to create…
Continue reading »The Mosaic Apse of Sant’Apollinaire in Classe, Ravenna
THE MOSAIC APSE OF SANT’APOLLINARE IN CLASSE, RAVENNA: A Miracle of Design Aidan Hart There is some iconography that can only be described as miraculous. Such is the sixth century apse mosaic at the basilica of Saint Apollinare in Classe, five miles from Ravenna, Italy. Such works seem to flash forth, and are never –…
Continue reading »A Tale of Transformation
A TALE OF TRANSFORMATION Two New Mosaics for St George’s Orthodox Church, Houston, Texas Aidan Hart This is the story of how two large mosaics for St George’s Orthodox Church in Houston Texas came to completion this January. The genesis of a mosaic is a tale of transformation, from sand to glass, to image,…
Continue reading »The Transfiguration Secco for Lancaster University Catholic Chaplaincy
The Transfiguration Secco for Lancaster University Catholic Chaplaincy Early in March my assistant Martin Earle, myself, and a former student from the Diploma in Icon Painting that I teach, Fran Whiteside, completed a secco wall painting of the Transfiguration. It took us just twelve days compared to the twenty months we had just spent on…
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