This is post 1 of 1 in the series “Local Colors of Conestoga” I’ve wanted to write for a while about what I’ve learned about making local colors—especially from an iconographic perspective. With this year’s harvest of indigo blue from the studio’s woad plants, I’ve taken that opportunity to do so. My hope is to […]
Editor’s note: This article continues Aidan Hart’s recent article about a reliquary for Saint Vincent of Zaragoza and details Christabel Anderson’s process for making the cloisonnée icon. This article contains a background to the history and technique of cloisonné enamel and a description of the processes used in making the cloisonné enamel icon plaque of Saint Vincent […]
This is post 5 of 9 in the series “Designing Icons” ____________________________________________________________ Editorial note: We have convinced Aidan Hart to post a chapter from his new book. “Techniques of Icon and Wall Painting” which is being hailed as the most comprehensive book to date on practicing the art of Iconography. At 450 pages, with 460 paintings, 150 […]
This is post 3 of 9 in the series “Designing Icons” ____________________________________________________________ Editorial note: We have convinced Aidan Hart to post a chapter from his new book. “Techniques of Icon and Wall Painting” which is being hailed as the most comprehensive book to date on practicing the art of Iconography. At 450 pages, with 460 paintings, 150 […]
This is post 2 of 9 in the series “Designing Icons” ____________________________________________________________ Editorial note: We have convinced Aidan Hart to post a chapter from his new book. “Techniques of Icon and Wall Painting” is being hailed as the most comprehensive book to date on practicing the art of Iconography. At 450 pages, with 460 paintings, 150 drawings […]
This is post 1 of 9 in the series “Designing Icons” ____________________________________________________________ Editorial note: We have convinced Aidan Hart to post a chapter from his new book. “Techniques of Icon and Wall Painting” which is being hailed as the most comprehensive book to date on practicing the art of Iconography. At 450 pages, with 460 paintings, 150 […]