Posts by Andrew Gould
Iconostases in Balkan Churches – Part 2: Dečani Monastery
The iconostases of Dečani Monastery are of such overwhelming interest that they warrant their own post in my photojournalism series. Dečani was built in 1327-1331. Among the hundreds of monasteries built by the medieval kingdom of Serbia, it was the tallest and grandest. Today, it is also, miraculously, the best preserved, with an extraordinary collection…
Continue reading »Iconostases in Balkan Churches – Part 1: Serbia
Continuing my photojournalism series highlighting Balkan churches, this post features interesting iconostases I photographed in Serbia and in the Kosovo and Metohija region. These iconostases range from medieval to contemporary, and exhibit a remarkable range of styles. I find it fascinating to view them grouped together, and consider that there are such diverse solutions to…
Continue reading »Interview with Andrew Gould on the New Church at Holy Cross Monastery
I invite you to watch this new interview, in which Abbott Seraphim and I discuss the new church under construction at Holy Cross Monastery. We touch on the future of monasticism in America, the importance of authentic craft to the growth of the Church, and the special role of Orthodoxy in an increasingly artificial world.…
Continue reading »Portraits of Light and Shadow in Balkan Churches – Part 2: Peć, Gračanica, and Dečani
Continuing my photojournalism series highlighting Balkan churches, this post will feature wide-angle interior portraits of the three great monastery churches of the Kosovo and Metohija region. Peć, Gračanica, and Dečani are monuments of unequalled importance, astonishing for their architecture and frescoes, and for their incredible state of preservation in this most embattled region. Because few…
Continue reading »Portraits of Light and Shadow in Balkan Churches – Part 1: Serbia
Having completed the first tour sponsored by the Orthodox Arts Journal, which took place in June of 2023, I’ve been considering how to share some of the four-thousand photographs I captured. The tour was a resounding success, visiting thirty monasteries and many other churches and cathedrals. Because of the volume of splendid things we saw,…
Continue reading »Sacred Arts East and West: A Conversation with Aidan Hart, Jonathan Pageau, and Andrew Gould
The Institute of Sacred Arts (ISA) at St Vladimir’s Orthodox Theological Seminary (SVOTS) will host a panel discussion with artists and scholars Aidan Hart, Jonathan Pageau, and Andrew Gould, on Monday, April 24, 2023, at 7:30 p.m. The event will be moderated by ISA founding director and SVOTS Professor of Systematic Theology Dr Peter Bouteneff and Associate Professor of…
Continue reading »OAJ Tour of the Balkans Led by Andrew Gould
The Orthodox Arts Journal is sponsoring its first-ever art and architecture package tour, which will take place in the Balkans. This tour will last 2 weeks, and will visit all the key sites for medieval architecture, frescoes, and liturgical art in Serbia, Kosovo, and North Macedonia. It will begin in Belgrade on May, 30th, 2023,…
Continue reading »An Interview with Benedict Sheehan – Vespers, and its Concert Premiere
Editor’s Note: Benedict Sheehan’s Astonishing Masterwork Vespers will be performed in a premiere concert series this weekend, November 11th, 12th, and 13th, at locations in New York and Pennsylvania. Full concert and ticket information follows this exclusive interview. Brad Given: How do you prepare for creating a work like this? Vespers is obviously a large,…
Continue reading »Church Architecture in America: A Look at the Sanctuary from a Missionary Perspective
Editor’s Note: This essay is an interesting provocation for church architects and liturgical artists. Fr. John Finley challenges us to rethink some of the normative materials and imagery used in our churches to better conform to the vision of Heaven described in scripture. I think there is much to be said for this approach, controversial…
Continue reading »A New Icon – Saint Katherine Teaching the Philosophers of the Alexandrian Court
I would like to share an interesting project in which I collaborated with iconographer Natalia Aglitskaya to develop a new icon composition. The project was a commission from Trinity College in Hartford, Connecticut, to commemorate their fiftieth anniversary of coeducation, which occurred in 2019. The college wanted a memorial to the admission of women to…
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