The Question of Polychrome – Part 2: Painting a Byzantine Analogion

This is post 2 of 2 in the series “The Question of Polychrome for Liturgical Woodcarving” In Part 1 of this article, I gave examples of historic Orthodox woodwork decorated with polychrome, and discussed the reasons why this can be effective. Specifically, I compared the visual impact of historic painted and gilded iconostases with modern […]