Designing Icons (pt.1)

This is post 1 of 9 in the series “Designing Icons” Aidan Hart gives us a full chapter on designing icons from his book “Techniques of Icon and Wall Painting.” Designing Icons (pt.1) Designing Icons (pt.2): Icon Prototypes Designing Icons (pt.3): New Icons Designing Icons (pt.4): Researching Festal Icons Designing Icons (pt.5): Conventions of Traditional…

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New Wall Painting

In August I completed a wall painting on the east wall of my medieval parish church, The Greek Orthodox Church of the Holy Fathers, Shrewsbury, England. On some of the other walls there already exist simple medieval wall paintings, dating from around 1380 A.D., but the east wall was newly plastered during recent restoration work…

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Towards Indigenous and Mature Liturgical Arts

We often hear it said that traditional Orthodox liturgical arts are reviving. But how far advanced is this revival, how mature is it, and what in fact are we reviving? In this article I would like to stimulate discussion by briefly considering three related subjects: indigenous iconography, maturity, and features of a healthy climate that…

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Institute for Orthodox Christian Studies Summer School

The Institute for Orthodox Christian Studies will be holding their 13th annual summer school course at Westminster College, Cambridge, United Kingdom, July 22-27.  The course is called “The Icon: A Bridge Between East and West”. The schedule features several talks and events. The speakers are an exemplary group of scholars, including  the renowned Orthodox theologian, Metropolitan…

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