Reflections of a Coptic Iconographer

“I rush towards my dry brushes, and like Christ, am nailed to my easel.” Marc Chagall, 1938 As I begin writing this article, an organ player downstairs strikes a melody on the church organ. My studio is situated in the mezzanine of the church, built by Canadian Anglicans in the late 1800’s and presently owned…

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New Liturgical Handbook Illuminates the Heart of Orthodox Worship

A groundbreaking new resource for Eastern Orthodox Christians has been published, offering clergy, laity, and inquirers an in-depth yet accessible guide to the Orthodox Church’s divine services. Titled The Divine Services of the Orthodox Church with Commentary, this comprehensive handbook combines original translations of liturgical texts with rich theological explanations, patristic insights, and practical pastoral…

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Image and Awe

It is and it is not. An image is like its subject but also unlike it. Through its likeness, a sacred image helps us to establish relationship with its subject, while through its unlikeness it suggests the subject’s otherness. This journal of liturgical art, as with my own work as a liturgical artist, is concerned…

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The King’s Iconographer on Hierarchy, Beauty, and the Crisis of Modern Art

I had the privilege of interviewing world-renowned iconographer Aidan Hart. We discussed his time as a hermit, his career as an iconographer, his relationship with King Charles, and his artistic influences. I was particularly enlightened hearing about his time as a hermit, which lasted over a decade. He ultimately ascertained that the capacity for silence,…

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The Church Gesamtkunstverk: Harmony of the Arts in the Church of St. Onuphrius the Great

Gesamtkunstwerk, or “total work of art,” is a term popularized by the opera-composer Richard Wagner to describe the ideal integration of multiple art forms into a single creative vision. Clear to the Orthodox Christian, the Divine Liturgy is the supreme expression of this idea, combining communal prayer, Holy Tradition, and all the arts for the…

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